I'VE HEARD THAT THERE IS A RULE FOR NAMING CONVENTIONS OF POWER AMPLIFIERS AND PREAMPLIFIERS... Date: October 20, 1998 03:05 PM Author: julian vereker Subject: Yes I'm sure we put this info somewhere . . . NAC 52 - Naim Audio Control (model No) 5 2 (channel) NAP 250 Naim Audio Power (125 watts + 125 watts into 4Ohms continuous) = 250 etc. julian IF NAIM IS SO MINIMALISTIC, WHAT IS THE REASON FOR KEEPING A BALANCE KNOB? MOST OF OTHER MANUFACTURERS DO NOT PUT IT. CAN I GET RID OF IT? Date: April 27, 1999 02:33 PM Author: julian vereker Subject: balance The connection and correct value of balance control is rather important to the correct signal conditioning (safe driving of the power amp) that the preamp does. julian PS Less is not always more. Date: March 24, 1998 02:03 AM Author: julian vereker Subject: balance control >>> I suppose Julian will tell us that all pre-amps feature the balance control as an intrinsic part of the circuit, and its removal would send the thing into oscillation. <<<< Exactly so. julian PS, I suppose that a bit of history comes in here, in the early days Linn found it very difficult to make speakers with the same sensitivity, and I can't tell left from right (hence ch.1 & ch.2), so the balance control was pretty useful - and then in 1983 when we introduced the NAIT in which the balance control only changed the balance by +/- 3dB there was a general outcry. Also, from a performance point of view, it doesn't matter whether the control is there or not there as long as the circuit is designed for its inclusion or not. WHAT CLASS ARE NAIM AMPS? AUDIO MAGAZINES STATES THAT CLASS A IS THE BEST... Date: March 29, 1998 03:55 AM Author: julian vereker Subject: Bias All Naim power amps are class B and they have as low a bias as we can manage, just a few milliamps. There are two reasons for doing this, in order to make a good push/pull power amp, the two halves need to match very closely since there is only one common feedback loop - this applies whatever the 'class' of the amp. If one achieves this degree of precision then one only needs a very small bias current. Also it is extremely wasteful of resources making class A power amps, since they use large amounts of electricity even when they are not playing music, this means the waste heat has to be dissipated into the atmosphere without overheating the components and thus shortening their lives, which implies large heatsinks, big heavy and expensive in terms of resources pieces of equipment. There are quite a few power amps about, that are called class A for marketing reasons, but are in fact to all intents and purposes, class B. (Save the planet - buy class B). julian Date: April 19, 1999 02:44 AM Author: julian vereker Subject: Cliff Just a quicky - Naim pre-amps are class A and therefore the current stays pretty constant (except when switching on the relay switched ones). [...] julian Date: April 01, 1998 01:22 AM Author: julian vereker Subject: EW D Self's writings (along with several other 'experts') in EW were one of the reasons for cancelling my sub. The guys who write in the mags on the subject of audio design, do it with such certainty and I (we) know that it just isn't like that. For example they never seem to discuss the PCB which is as important a part of the circuit as anything else. All our preamps are single ended class A (mainly for noise considerations and of course, simplicity) julian PS I may be being unfair, but isn't there a saying "Those who can, do and those who can't, write about it". I CAN HEAR HISS ON MY FRIENDS' NAIM HI-END SYSTEM WHEN NOTHING IS PLAYED. THIS IS RIDICULOUS! Date: February 21, 1998 05:11 AM Author: julian vereker Subject: hiss The hiss from the speakers is quite normal, specially when the phono input is selected. There are two issues, one: the DBLs are very efficient compared to most other speakers and therefore the hiss will sound about twice as loud as it would for the same volume setting using other speakers. (and the music would also be about twice as loud if you happened to be playing music rather than listening to the hiss). Second: the way that our pre-amps are designed, the noise is such that it is always masked by the noise from the source, ie the background noise off vinyl (the worst case) is some 6dB noisier than the pre-amp noise. The 52 has a remote control - try reducing the volume or pressing 'mute' to reduce the hiss when not listening to music. julian